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Monday, April 13, 1998 Blanche Fury: Blurfly When a band is half as good as the "Throwing Muses," that band is pretty damn good. "Blanche Fury," an all-chick band from Texas, is about half as good as the "Throwing Muses," and from me thats a hell of a compliment. The band is mostly an exceptional vocalist, Anne Fontenot, and a highly competent back-up band. Fontenots voice is aggressive, haunting, edgy, serene, and endlessly listenable. This CD, Blurfly, is "Blanche Furys" second release, and its chock full of solid tunes, singable melodies, and pleasant arrangements. Reminiscent of Louisvilles "Candy Says," the songs are strong on inflection, emotion, and vocal play, if weak on lyrics and hooks. Diversity is "Blanche Furys" strength each tune comes with a little surprise, but the overall style is still consistent and memorable. The music is executed with confidence and courage, giving the listener the feeling of being in good hands. Its a stress-free listen. With one notable exception. The very problematic track 10 begins "Come from a city from a faraway place / Where you don't even know me / Even know my race, see / Where're you going? Where're you from?" Its called "India." I have no idea what it is about and I have no desire to know, because I feel certain its some sort of preachy cultural relativist treatise about foreign sensuality and the power of the "other" or else someone in the band took a trip to India and got a little too engorged on the whole veil thing. The other irritating thing is that the CD has one of those bookendy last tracks that lasts for 4 seconds and sounds exactly like the very beginning of track 1. Blanche Fury is obviously and unashamedly influenced by singers such as Tori Amos and Sarah McLachlan, and maybe less consciously by P.J. Harvey and Rickie Lee Jones, but Blanche Fury achieves a sense of ensemble and group presence, mostly the fault of the lead guitar player, which brings me back to the Throwing Muses comparison. "Blanche Fury" is not as inventive, not as postmodern, not as smart, and not as cold, but serve a grittier, bloodier, less-controlled muse nonetheless. Definitely more mature than "Letters to Cleo" if not as wise as "Throwing Muses," wider in scope than Alanis Morisette if not as grimly cheerful as Sheryl Crow, this is the grindingest, wrenchingest, tearingest chick band Ive heard in a long time. Here's their site. |